Lydia Millhon focuses on Afro-Cuban and Afro-Brazilian authors, emphasizing Nicolás Guillén's role in linking cultural identities across Latin America in the mid-20th century. Her dissertation explores Concretism and Negrismo, reflecting on the shared aesthetic and political histories between Cuba and Brazil, and their impact on Afro-diasporic consciousness.
Remembering the Big Picture: A Need for Unbiased Dialogue About the Cuban Reality
by Vaitiari Rodriguez I vividly remember my grandfather saying that in Cuba, kids learned how to say “Fidel” and “Communism” before they could say mom or dad. Every time my family spoke about the government and politics they used to lower their voices and turn on the television, so none of the neighbors could listen... Continue Reading →
